Corman/Poe: Roger Corman’s Edgar Allan Poe Films + Horror Talk Shop w/ Delirium Magazine’s Chris Alexander

On this spooky season edition of Parallax Views, Chris Alexander of Full Moon Presents Delirium Magazine returns to discuss his new TOMBS OF THE BLIND DEAD homage movie SCREAM OF THE BLIND DEAD, the Euro-horror of Jess Franco and Jean Rollin, and his two new Headpress books ART! TRASH! TERROR!: ADVENTURES IN STRANGE CINEMA and CORMAN/POE: INTERVIEWS AND ESSAYS EXPLORING THE MAKING OF ROGER CORMAN'S EDGAR ALLEN POE FILMS 1960-1964. We also discuss new horror movie fare like the "revenge-o-matic" SAW X and the Australian demonic possession movie TALK TO ME. At the end we try to figure out a movie that slipped my tongue, I found out after the show that I was thinking of was Full Moon's THE PRIMEVALS.

We talk the making of the Roger Corman Edgar Allen Poe movies, the use of Freudian image in Corman's Poe films, THE HAUNTED PALACE, THE PIT AND THE PENDULUM, THE HOUSE OF USHER, THE TOMB OF LIGEIA, the Corman/Poe horror-comedy THE RAVEN, the impetus behind casting Vincent Price in the Poe films, Roger Corman's dabbling in the counterculture and his LSD trip (as well as his counterculture movies like THE TRIP, BLOODY MAMA, and GA-S-S-S-S -OR- IT BECAME NECESSARY TO DESTROY THE WORLD IN ORDER TO SAVE IT), Corman's early years at American International Pictures (AIP) and how his relationship with AIP evolved over time (and where it fell apart), Roger Corman's wife Julie Corman and her contributions to the Corman movie machine, the Vatican's attempts to censor Corman's THE MASQUE OF THE RED DEATH, and much, much more!